BY JOEY HOOD
Every summer, the New York International Fringe Festival replenishes the downtown scene with a well-stocked cabal of LGBT performers. Make no mistake: 2010 boasts gay-friendly subject matter in spades.
According to festival organizers, one-quarter of this year’s slated offerings feature plots that will appeal to LGBT community members.
“This year, the festival has a much more serious, dramatic bent overall,” FringeNYC publicist Ron Lasko said in an interview with Gay City News. “That trend is reflected in the gay plays as well. Much less camp and a lot more earnest exploration of history, politics, and social issues. Of course, we still have plenty of summer fun, too,” he added.
For starters, 2009‘s FringeNYC standout “Abraham Lincoln’s Big Gay Party” opens Off-Broadway on Aug. 11 at The Acorn Theatre. But 2010‘s larger narrative thread encompasses meditative, well-constructed works of highbrow art.
The high concept “3boys” is not technically gay-oriented per se, but playwright Becca Schlossberg’s 50-minute deconstruction of masculinity from a canine perspective definitely provides a queer perspective.
"It's an allegory about men," Schlossberg said. " It’s about what masculinity is, about homosexuality. We humanize dogs – they're 'man's best friend' – and I thought people would be able to relate to them."
Meanwhile, Stephen Fales returns to FringeNYC after his successful Off-Broadway run with “Confessions of a Mormon Boy.” His new one-man piece “Missionary Position” is the second installment in his Church of Latter Day Saints trilogy.
Also showing is Alaina Kunin and Bradford Proctor’s hormone-addled “Bunked! A New Musical,” which has been sponsored by gay-oriented cable network Logo, and progressive activist and Huffington Post contributor Ryan J. Davis with the Ivy League gay witch hunt period drama, “Veritas.”
At the other end of the spectrum, Singapore-based transsexual Leona Lo will unveil her autobiographical work “Ah Kua Show” to audiences at The Club @ LA MAMA.
“For the very nature of the fringe is to tell the truth,” director Richard Chua said. “We aim to guard the soul of the characters in this play, and the soul of plain honesty in mentioning the taboo.”